Page five. In the trenches; over the top; fixed defences; communications; materiel

Almost all of my World War One material is by H. D. Girdwood, an English company, who sold their views under the trade name 'Realistic Travels'. Most of their views are of a higher quality than WWI views by Underwood although, due to the high gloss, they do not scan very well. They will therefore almost all be of far higher quality than they appear on the screen.
Please click  here  for a high quality scan which gives a true indication of the quality.
Underwood photographers were not present on the battlefield sites between 1916 when the Kaiser said he could not guarantee the safety of war photographers, and the end of hostilities in 1918. Girdwood's views therefore have more immediacy and action. They were issued in sets of between 50 and 500 views so the numbering sequence is pretty muddled. Customers could also pick out the views they required and so a box or collection may have non-sequential  numbering. They come on Underwood-type mounts or on lighter mounts with curved or beveled edges. These are interchangeable and most views appear on both types of mount.
Our valued American customers may ask why there are practically no US troops in these views. The reason is simple; despite Holywood rewriting history, most of these views were taken between 1915 and 1917 when the USA was a neutral country.
 
 

These are ALL condition 8, 9 or 10 and priced at $8 each unless otherwise mentioned.


'R.E.'s mine and counter-mine Messines Ridge which dominated Ypres, blown up and stormed, June 7th 1917'.
Order #9371.
 


'Sappers and miners at work on a tunnel under hill overlooking the Ypres salient, blown up April 1916'.
Order #9372.
 


'The Labyrinth, Arras, taken in deadly hand-to-hand fighting, proves a haven of rest to our weary men'.
Order #9373.
 


'A section of the Seaforths with their Stokes mortar in the trenches; a peep through the periscope'.
Condition 6 (yellow marks are surface stains. Also slight surface scratches).
Order #9374.
Price $5.
 


'A German shell expected, bomb gun section of Seaforths taking cover'.
Order #9375.
 


'Amid bursting "crumps" with trench mortar ready, Seaforths watch through periscope for the Bosche'.
Order #9376.
 


'Seaforth Highlanders firing trench mortar, showing shell in its flight in mid-air'.
Order #9377.
 


'The work of clearing up the captured trenches is made hazardous by enemy booby traps'.
Order #9378.
 


'Seaforths, in a front line trench, with bayonets fixed, snatch a moment's respite'.
Order #9379.
 
 


'A company of the Black Watch in a trench with dug-outs below the death line'.
Order #9381.
 


'Waiting in trenches near Arras for our creeping barrage to lift before pushing on'.
Order #9382.


Keystone '"Down in a shell crater, we fought like Kilkenny cats" - Battle of Cambrai'.
Order #9387.
 


'At dawn, in a determined rush, we carry the fortified enemy position at Contalmaison by assault'.
Order #9389.
 


'A booby trap nearly bowls over one of our souvenir hunting lads'.
Order #9394.
 
 


'Infantry digging communication trenches and laying cables to connect up advance positions'.Order #9395.
 


'Gurkha battalion repairing trenches damaged by German bombardment'.
Order #9397.
 


'Engineers repairing a light railway which suffered badly under heavy bombardment'.
Order #9398.
 


'Light railway pushed forward by ROD through old canal at lens, to bring up supplies for the front line'.
Order #9399.
 


'Cable section laying cable - each wagon holds several miles'.
Order #9400.
 


Keystone 'Repairing field telephone lines during a gas attack at the front'. Descriptive text.
Order #9401.
 


'Air line section of signal corps putting up telegraph line along a Flanders canal'.
Order #9402.
 


'A busy field telephone during an engagement'.
Order #9403.
 


'A busy telegraph office at a GCHQ base behind the trenches'.
Order #9404.
 


'Signal section putting up telephone wires communicating with headquarters'.
Order #9405.
 


'A listening post waiting for the cover of darkness before advancing'.
Order #9406.
 


'Hazardous work! A listening-post in a shell-crater in "no-man's land" near Lagnicourt'.
Order #9407.
 


'Artillery observation officer in forward post reporting our barrage during the advance on Woncourt'.
Order #9408.
 


'Awaiting the great Hun attack, observation officer and signallers at St Quentin keep a sharp look-out'.
Order #9409.
 


Keystone 'Entrenched Highlanders on the lookout using mirror periscope'.
Order #9410.
 


'A dispatch rider with S.O.S. messages for a signal station near a French tower'.
Order #9412.
Price $10.
 


'Bombing up a trench; how the Gurkhas drove out the enemy'.
Order #9415.
 


'Officer watching his section file into a dugout to avoid a Bosche straf'.
Order #9416.
 


'Reinforcements going forward thro' communial trenches to support men holding out at St J????'.
Order #9417.
 


'Leaving for a night raid at Messines into the ??? darkness of "No Man's Land"'.
Order #9418.
 


'A defensive post in a shell-swept building, held by our troops'.
Order #9419.
 
 


'Marchovlette Fort, Namur, levelled by Hun howitzers in their ruthless smash through Belgium, Aug. '14'.
Order #9423.
 


'German guns on the Belgian coast protecting their flank against a naval landing by our Fleet'.
Order #9424.
 


'German long range gun which shelled Dunkirk from Moewe, a distance of 39 miles'.
Order #9425.
 


'German concrete fort and dugout'.
Order #9426.
 


'Smashed by bombs from our aeroplanes, a German fortified redoubt protecting Ostend from the sea'.
Order #9427.
 


'Built to guard against our naval raids on Ostend, the famous Tirpitz battery, with Hun inscription'.
Order #9428.
 


'"India-rubber" house which resisted all bombardments in the Hun attempt to force the Yser Canal'.
Order #9429.
 


'A unique sand blockhouse, the only means of fortification in the deserts of South-West Africa'.
Order #10351.
 


'Ploughing soil for which he fought midst tragic reminders of the desperate struggle at Frezenberg'.
Order #10352.
 
 
 

HAVE you forgotten yet?...
For the world's events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you're a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same--and War's a bloody game...
Have you forgotten yet?...
Look down, and swear by the slain of the War that you'll never forget.

 Do you remember the dark months you held the sector at Mametz--
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench--
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, 'Is it all going to happen again?'

 Do you remember that hour of din before the attack--
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads--those ashen-grey
Masks of the lads who once were keen and kind and gay?

 Have you forgotten yet?...
Look up, and swear by the green of the spring that you'll never forget.

Siegfried Sassoon. 1920
 
 

 To page one - Troops on the move

 To page two - Troops at rest

 To page three - Transport

 To page four - Guns and gunners

 To page six - Battle scenes

 To page seven - Battlefield landscapes, prisoners

 To page eight - Miscellaneous and war damage

 To page nine - The wounded, the fallen, war graves

 To page ten - Officers, victory parades

  Back to stock page